http___www.bigleaguekickball.com_category_press_ soma next day delivery cod When discussing early CDs, we often refer to discs pressed in Japan or West Germany. However, as demand grew in the mid-1980s, CD pressing plants opened all over the world, and record labels scrambled to have their titles pressed wherever they could. This led to some unusual rare pressings. Consider the 1985 smash album by Phil Collins, No Jacket Required.

Soma Cod Overnight Delivery Back in ’85, you couldn’t turn on MTV without seeing the video for “Sussudio” seemingly three times every hour. That was just one of several hits from Collins’ third solo album. With the immense popularity of the album, demand was high in all formats, including the CD. The earliest CDs of No Jacket Required to hit the shelves were pressed in West Germany (Target pressings) and Japan, but pressings from other countries surfaced in the mid-’80s.

Soma Cod Overnight Delivery Here, we consider a rare Swiss pressing of No Jacket Required. The Swiss ICM plant came online in 1985 with support from PolyGram. While many ICM discs were distributed in Europe, they are occasionally found in the U.S. Back in 2013, we reviewed a Swiss-for-U.S. pressing of Crosby, Stills, Nash & Young Déjà Vu (go here). The No Jacket Required disc featured here is similar. As a U.S. release, the No Jacket Required disc and inserts bear the U.S. Atlantic catalog number 81240-2.

http___www.bigleaguekickball.com_about_ generic Soma no prescription overnight Swiss ICM pressings have aluminum to the center hole (no clear plastic ring) with a unique machined hub. While early West German and Japanese pressings commonly offered noteworthy label designs, the Swiss No Jacket Required disc is stark — just black text with no paint coating. The disc has “Made by ICM/Switzerland” printed at 6 o’clock. The inserts were printed in the U.S. and are identical to inserts found with early U.S. pressings.

Soma no prescription USA FedEx shipping Shown below are the inserts for No Jacket Required, along with the Swiss ICM pressing. With early copies of No Jacket Required being rather common, you should have no difficulty locating copies with the original U.S. inserts shown here. With some luck, one will have the rare Swiss pressing inside.

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http___www.bigleaguekickball.com_category_press_ soma cheap no prescription The cover for the Swiss-for-U.S. pressing of Phil Collins No Jacket Required (Atlantic, catalog number 81240-2). This is the standard cover artwork for this album.

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can you buy soma cash on delivery The back insert for the Swiss-for-U.S. pressing of Phil Collins No Jacket Required (Atlantic, catalog number 81240-2). This insert was printed in the U.S.

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online soma fedex next day delivery The Swiss-for-U.S. pressing of Phil Collins No Jacket Required (Atlantic, catalog number 81240-2). Note “Made by ICM/Switzerland” printed at 6 o’clock. The matrix code is “7567 81240-2 2895 421 02 *” Early Target pressings bear the same matrix code, indicating that the Swiss pressing was produced from the same glass master.

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From rare to accessible. In 2007 and 2019, we reviewed very rare early CDs of the Elvis Presley compilation Merry Christmas (go here and here). This holiday season, we consider a much more common Elvis holiday album, simply titled Elvis’ Christmas Album. Originally released in 1957, Elvis’ Christmas Album offers 12 classics, including “White Christmas”, “Here Comes Santa Claus”, and “I’ll Be Home for Christmas”. On four of the 12 songs, Elvis is joined by The Jordanaires.

http://waterloomilitaria.com/wp-cron.php?doing_wp_cron=1589400201.3142340183258056640625 RCA originally released Elvis’ Christmas Album on CD in the mid-’80s under U.S. catalog number PCD1-5486. As with many U.S. RCA CDs, the first copies of this Elvis album were pressed in Japan by Denon. The disc has the typical early U.S. RCA CD label design — a royal blue outer ring, royal blue text, a white RCA logo, and no paint coating.

Cheap Tramadol Cod The Elvis disc has “Made in Japan” printed at 3 o’clock, and the inserts were printed in the U.S. A barcode appears on the back insert. The matrix code is stamped in the unique Denon dot-matrix font and is “PCD-15486 1A5 5X”.

click Unlike Merry Christmas, Elvis’ Christmas Album has remained in print on CD for many years. Numerous U.S. pressings of Elvis’ Christmas Album followed the original Japanese pressing. However, the Japanese pressing of Elvis’ Christmas Album shown here is relatively easy to find, especially online.

go here Shown below is the cover and back insert for Elvis’ Christmas Album, along with the Japanese pressing.

go to link Happy Holidays!

The cover for Elvis’ Christmas Album (RCA, catalog number PCD1-5486). This is the standard cover artwork for this album. Note the RCA CD logo in the bottom right corner.

The back insert for Elvis’ Christmas Album (RCA, catalog number PCD1-5486). The tracks are listed on either side of Elvis. Note “Printed in U.S.A.” in the bottom right corner.

The Japanese Denon pressing of Elvis’ Christmas Album (RCA, catalog number PCD1-5486). “Made in Japan” is printed at 3 o’clock, and the matrix code is “PCD-15486 1A5 5X”.

When we consider early Japanese CD pressings, we are normally concerned with discs released in the U.S., European, and Japanese markets. In many cases, unique Japanese pressings were produced for each of these primary CD markets. For smaller markets in the early days of the format, one of these primary issues would be imported for resale. In some rare instances, a Japanese pressing for one of the primary markets was issued with inserts specific to the smaller market. Here, we consider such a release in Canada.

At the dawn of the CD format, Canada often received U.S. releases as imports, complete with U.S. inserts. However, CBS Records, in the mid-’80s, printed inserts specific to the Canadian market. Prior to CD production starting up in Canada, CBS released Japanese CBS/Sony or U.S. DADC pressings with the Canadian inserts. Generally speaking, these “mixed” releases are quite rare.

Nearly 11 years ago, we reviewed a Japan-for-Canada issue of Santana’s 1981 album, Zebop! (go here). For this post, let’s look at a similar issue of the famous acoustic guitar trio, Al Di Meola, John McLaughlin, and Paco De Lucia, Friday Night in San Francisco.

1981’s Friday Night in San Francisco brings together three of the greatest guitarists of all time for a mostly live performance. Consisting of five tracks, Di Meola, McLaughlin, and De Lucia are in top form, feeding off of one another for a serious and also fun set. Sheer brilliance.

CBS/Sony made Friday Night in San Francisco one of its first CD releases in Japan in 1982 under catalog number 35DP 9. A rare Japan-for-U.S. issue followed soon after on the Columbia label, with the disc showing the Japanese catalog number in the matrix code. Even rarer than the Japan-for-U.S. release is the Japan-for-Canada issue. As was typical for CBS, this Canadian issue of Friday Night in San Francisco borrows the U.S. catalog number, CK 37152.

The early Canadian issue features a Japanese CBS/Sony pressing, the same one issued in the U.S. The disc has “CSR COMPACT DISC” repeating in the plastic ring, and the matrix code is “35DP-9 91A2”. The project number “DIDP 50009”, derived from the Japanese catalog number, is printed beneath the U.S. catalog number at 3 o’clock. “MANUFACTURED IN JAPAN” is printed along the perimeter.

The inserts are unique to Canada. The back insert states “Distributed by CBS Records Canada Ltd.” in English and French. Most of the text is printed in English.

Shown below is the cover and back insert for the early Canadian issue of Friday Night in San Francisco, along with the Japanese CBS/Sony pressing.

The cover for the original Canadian issue of Al Di Meola, John McLaughlin, Paco De Lucia Friday Night in San Francisco (Columbia, catalog number CK 37152). This is the standard cover artwork for this album.

The back insert for the original Canadian issue of Al Di Meola, John McLaughlin, Paco De Lucia Friday Night in San Francisco (Columbia, catalog number CK 37152). Note the text “Distributed by CBS Records Canada Ltd.” printed in English and French along the bottom.

The Japan-for-U.S. pressing of Al Di Meola, John McLaughlin, Paco De Lucia Friday Night in San Francisco (Columbia, catalog number CK 37152). This disc was issued with the above Canadian inserts. The disc has “CSR COMPACT DISC” repeating in the plastic ring, and the matrix code is “35DP-9 91A2”.

Back in March 2020, we provided a review of an early CD pressing of a rather obscure Bob Marley album (go here). With this post, we look at an album well known to even the casual Bob Marley fan. It is the aptly titled compilation Legend. The full title is actually Legend: The Best of Bob Marley and The Wailers. For simplicity, we will refer to it here simply as Legend.

Legend was released by Island Records in 1984. CDs made their early debuts in the U.S., Europe, and Japan. In this post, we focus on the original Japanese CD issue.

The Japanese release of Legend contains 14 tracks and was issued jointly by Island and Japanese label Polystar. The catalog number for this CD is P35D-20003, where “35” reflects the original retail price of ¥3,500 (Japanese yen), a common price for a single CD in the early days of the format in Japan. The disc and inserts also show European catalog number, CID 103.

Interestingly, Japanese CD releases often show the release date on the obi strip and/or inserts. The release date for Legend is shown on the back inserts as I·9·25, where the I is code for 1985 (more information). This code means that this Legend CD was released on September 25, 1985.

Collectors value Japanese CDs for a number of reasons, one of which is the obi strip, generally unique to Japanese releases. Many older CDs are sadly found without the obi strip since, as loose paper, it is often lost or thrown away. In the early days of the format, however, some CDs were issued with the obi strip adhered to the jewel case. So the owner would have to physically peel the obi strip off to remove it. As such, these CDs are often found with their obi strips intact. Legend is one such early CD with the adhered obi strip.

The Japanese issue of Legend was pressed by CBS/Sony. It has “CSR” (acronym for CBS/Sony Records) embossed on the clear plastic ring. The matrix code is “P35D-20003 21 +++++”.

Shown below are the cover and back insert for Legend with the obi strip, as well as the Japanese pressing.

The cover for the original Japanese issue of Legend: The Best of Bob Marley and The Wailers (Island/Polystar, catalog number P35D-20003). The front insert is shown in the original jewel case, with the obi strip adhered to the jewel case. Note the retail price of ¥3,500 printed on the obi strip.

The back insert for the original Japanese issue of Legend: The Best of Bob Marley and The Wailers (Island/Polystar, catalog number P35D-20003). The back insert is shown inside the original jewel case. The retail price and catalog number are printed in the lower left corner of the insert. Note also the release date code, I·9·25, representing September 25, 1985, in the lower left corner. The yellow strip at the right is the back of the obi strip adhered to the jewel case.

The original Japanese pressing of Legend: The Best of Bob Marley and The Wailers (Island/Polystar, catalog number P35D-20003). The original European catalog number, CID 103, is also printed at 12 o’clock. The disc has “CSR” embossed on the plastic ring, and the matrix code is “P35D-20003 21 +++++”.

One of the most heavily anticipated catalogs to be released on compact disc in the mid-1980s was that of The Rolling Stones. Of course, it was. As was often the case with headliners, the Stones’ pre-1971 catalog was under the control of different labels, depending on the sales territory. In the U.S., ABCKO owned the early Stones’ catalog, while in Europe and Japan, London held the rights to these classics. If we focus on the U.S. and Europe, we saw the release of two distinct collections on CD — ABKCO in the U.S. and London in Europe. This means different catalog numbers, artwork, and also sound.

Over the years, collectors have sought out the European London CDs because these discs possess better mastering (in layman’s terms, sound quality) than their ABKCO counterparts. Although not released in the U.S., the London discs were fortunately pressed in relatively large quantities for the period and are therefore easy enough to track down online, and even in CD shops in the States (if you can find one).

Here, we consider the original European issue of the Stones’ 1965 classic, Out of Our Heads. The album features 12 tracks, including the all-time favorite “(I Can’t Get No) Satisfaction” as well as the popular “Play With Fire”. London released Out of Our Heads on CD under catalog number 820 049-2. The disc’s label design is typical for early London issues — royal blue and red outer rings, a royal blue and red London logo at 12 o’clock, and royal blue text. The CD format logo stands out at 9 o’clock, while “Made in W-Germany by PolyGram” is printed at 3 o’clock.

Interestingly, the back insert states “Analogue to Digital mastering by Mobile Fidelity Sound”. This explains the excellent sound of these early London Stones CDs, as Mobile Fidelity established itself in the 1980s as a reliable source of quality audiophile mastering (first on vinyl and cassette, and later on CD).

The back insert, like the disc, references manufacturing by PolyGram in West Germany. The cover boldly states “DIGITALLY RE-MASTERED” in a red banner in the upper left corner.

While this original issue of Our of Our Heads, like the other London Stones discs in the series, is not particularly rare, it is a must-have as a collectible and by virtue of the mastering, as a quality presentation of this classic.

Shown below is the cover, back insert, and original West German pressing of Out of Our Heads on London.

R.I.P., Mr. Watts.

The cover for the original London issue of The Rolling Stones Out of Our Heads (catalog number 820 049-2). This is the standard cover artwork for this album, though the “DIGITALLY RE-MASTERED” banner is unique to CD releases on London.

The back insert for the original London issue of The Rolling Stones Out of Our Heads (catalog number 820 049-2). Note the mastering credit to Mobile Fidelity along the bottom, along with the note that the disc was made in West Germany.

The original West German pressing of the London issue of The Rolling Stones Out of Our Heads (catalog number 820 049-2). The disc has “Made in W-Germany by PolyGram” printed at 3 o’clock, and the matrix code is “820 049-2 02#.

What can I tell you about Paul McCartney and Band on the Run that you don’t already know?  Let’s get to the CD.

Band on the Run first appeared on CD in the U.S. on the Columbia label, under the CBS Records umbrella. This, like all McCartney Columbia CDs, is rather rare (though available as Japanese and U.S. pressings). At about the same time, Band on the Run was released in Europe on Capitol Records. Paul McCartney’s catalog in the U.S. quickly moved to Capitol, and the same Capitol issue of Band on the Run then was available in both the U.S. and Europe by the mid-’80s.

Capitol originally issued Band on the Run on CD under catalog number CDP 7 46055 2. The earliest pressings, from Japan, are highly desirable by virtue of a stand-out black paint coating. As posted here over the years, Capitol is known for its early CDs bearing attractive paint coatings. The Japanese pressing of Band on the Run hit store shelves in the U.S. and can be located today without too much difficulty online. In the late ’80s, production switched to Capitol’s Jacksonville, Illinois plant. These “JAX” pressings (notation found in the mirror band) are very common. There is, however, a rare “in-between” pressing that was released in the U.S.

Shape Optimedia was one of many pressing plants that opened in the U.S. in the late ’80s as demand for the silver discs boomed. Though Shape Optimedia did not have a long run (operating in the state of Maine), they turned out distinctive early pressings by virtue of their unique clear plastic ring. Shape Optimedia produced a limited run of Band on the Run. Let’s have a look.

Gone is the black paint coating. Capitol abandoned paint coatings on most U.S. pressings in the late ’80s, presumably as a cost savings. The Shape Optimedia disc has black text over aluminum. The text “SHAPE OPTIMEDIA, INC.” and “MADE IN USA” is stamped on the clear plastic ring. The matrix information is “SHAPE OPTIMEDIA 10059 SA0584”. The accompanying inserts were printed in the U.S.

Shown below is the cover and back insert for the Capitol issue of Band on the Run, along with the rare Shape Optimedia pressing.

The cover for the original Capitol issue of Paul McCartney and Wings Band on the Run (catalog number CDP 7 46055 2). This is the standard cover artwork for this album.

The back insert for the original Capitol issue of Paul McCartney and Wings Band on the Run (catalog number CDP 7 46055 2). As noted along the bottom, this insert was printed in the U.S.

The Shape Optimedia plant pressing of Paul McCartney and Wings Band on the Run (Capitol, catalog number CDP 7 46055 2). “SHAPE OPTIMEDIA, INC.” and “MADE IN USA” is stamped on the clear plastic ring. The matrix information is “SHAPE OPTIMEDIA 10059 SA0584”.

1959 saw the release of one of the most iconic jazz albums of all time, Miles Davis’ Kind of Blue. In the same year, five of the jazz legends that performed on Kind of Blue recorded a session in Chicago that is oft-overlooked. It shouldn’t be. The line-up of Julian (Cannonball) Adderley on alto saxophone, John Coltrane on tenor saxophone, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums, came together to record six tracks for an album originally released in 1959 as Cannonball Adderley Quintet in Chicago. In 1964, the session was reissued as Cannonball & Coltrane. As the second title suggests, the album highlights two saxophone greats dueling and complementing each other.

This recording was released on CD as Cannonball & Coltrane by EmArcy, part of PolyGram Records, in 1988 under catalog number 834 588-2. The earliest copies were pressed in West Germany by the PDO plant. As such, there is no clear plastic ring at the center of the disc. The inserts were printed in West Germany.

This is not a particularly rare CD, but it is a must for the jazz aficionado and CD collector. The original issue of a jazz classic, even if it is oft-overlooked.

Shown below is the cover and back insert for the original issue of Cannonball & Coltrane, along with the West German pressing.

The cover for the original CD issue of Cannonball & Coltrane (EmArcy, catalog number 834 588-2). This is the standard artwork for the Cannonball & Coltrane issue of this session.

The back insert for the original CD issue of Cannonball & Coltrane (EmArcy, catalog number 834 588-2). The performers are listed towards the bottom. Note “Printed in West Germany” in the bottom left corner.

The West German pressing of Cannonball & Coltrane (EmArcy, catalog number 834 588-2). “MADE IN W.GERMANY BY PDO” is stamped near the center hole, and “MADE IN W.GERMANY BY POLYGRAM” is printed along the perimeter. The matrix code is “834 588-2 01 *”.

One cannot have a meaningful discussion of ’80s pop music without devoting significant time to British chart-topper Culture Club. Fronted by the ever-charismatic Boy George, the group debuted with 1982’s Kissing to be Clever and its hits “I’ll Tumble 4 Ya” and “Do You Really Want to Hurt Me”. That was just the start. In 1983, Culture Club released their sophomore effort, the smash Colour By Numbers. Included here are “Karma Chameleon” (you know you’re humming it right now), “It’s a Miracle”, and “Miss Me Blind”. Hugely popular album with endless radio airplay and videos on MTV. Huge. So, what about Colour By Numbers on CD? Let’s look at one early aesthetic issue.

In Europe and Japan, Virgin Records owned the rights to Culture Club’s catalog in the ’80s. Virgin first issued Colour By Numbers on CD in its homeland U.K. and the rest of Europe in 1983 under catalog number CDV 2285. Typical of an early European issue, the disc was pressed in West Germany by Polygram. Therefore, the disc has no clear plastic ring at the center (i.e., aluminum up to the center hole). Also in keeping with many early West German pressings, the disc has an attractive paint coating — powder blue.

The Colour by Numbers disc label is particularly eye-catching with fonts and characters reproduced from the album artwork. The disc does not state where it was pressed, but it clearly is an early West German pressing. The matrix code is “CDV 2285 2893 288 01”. The back insert, with no barcode, states “Printed in West Germany”.

This early Culture Club release is not terribly rare, as it was likely pressed in substantial quantities for the time given the band’s enormous popularity. Look for it online, as it is a worthy addition to any music and music collector’s shelf. For the record (CD?), a similar West German pressing was issued on Virgin for Kissing to be Clever under catalog number CDV 2232.

Shown below is the cover and back insert for the original Virgin issue of Colour by Numbers, along with the West German pressing.

The cover for the original West German pressing of Culture Club Colour by Numbers (Virgin, catalog number CDV 2285). This is the standard cover artwork for this album.

The back insert for the original West German pressing of Culture Club Colour by Numbers (Virgin, catalog number CDV 2285). There is no barcode. Note “Printed in West Germany” along the bottom.

The original West German pressing of Culture Club Colour by Numbers (Virgin, catalog number CDV 2285). The matrix code is “CDV 2285 2893 288 01”.